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At a later stage he comes to ‘realize’ himself, and finally learns Injunction graven on the old Greek temples Γνῶθι σεαυτόν, know thyself.

‘Rosicrucian’ initiation-an initiation specially adapted to modern days-the time and The true significance of the Second Advent of our Lord. Their first desire being so to improve their own mental and moral state as to make The four plays form one continuous series, and the characters portrayed are of quiteĪn ordinary kind except that they take more than the usual interest in spiritual matters, Manner of which depend on the individual nature and circumstances of each person. We find amongst them many types-the occult leader and the seeress who explains theĬoming of Christ. The latter as an embodiment of an influence which seeks to materialize everything, Often distorted to bring about self-glorification rather than the ambition to do good The spiritual plane and we learn also about the nature of elementals and the twinįorces of hindrance known as Lucifer and Ahriman the former of whom may be describedĪs an embodiment of the spiritual impulse to action, an impulse always necessary but We are led to realize how the characters are connected on the physical as well as We are shown the spiritual development of an artist, a scientist, a philosopher, a historian, a mystic, and a man of the world Īnd we hear too the scoffing cynicism of Germanus and the materialistic views of Fox.

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Man that he may gain free will by having perfect liberty to guide them in the one Thus hindering true spiritual growth and freedom. To write a play whilst the rehearsals are actually in progress, finishing it a fewĭays before the first public performance, and the first play was written and acted With regard to the writing and production of the plays, Doctor Steiner’s habit is In this manner in August, 1910, the second in August, 1911, the third in August, 1912,Īnd the fourth in August, 1913. Of the previous incarnation in the Middle Ages, traces the characters right back to Of the other three, and, following out the hint given in the second play by the account It was not until then that the complete key to theĭevelopment of the characters was attainable. The plays were performed in Munich every summer under the personal direction of the author and were acted by men and women of several Their earlier incarnation in ancient Egypt. Nationalities-all students of his teaching. Theatre, his supporters acquired a plot of ground in Munich, and plans were designedįor a theatre of their own, but the Munich authorities after much prevarication andĭelay finally prohibited its building, exhibiting in their treatment of Rudolf Steiner the same illiberal spirit as they had shown at an earlier date in the caseīecause of this, and because of the hostility which his writings and lectures hadĪroused in other parts of Germany, Doctor Steiner was led to set up his theatre in In 1913, owing to the difficulties and expense incurred each year in securing an appropriate The audiences numbered some two thousandĪnd were composed entirely of his followers. Switzerland at the little village of Dornach-not far from Bâle.

Gandell, M.A., Oxon., for their most valuable help in the very difficult task of translating the In conclusion I should like to express my gratitude to my friends and fellow students Here a theatre isīeing built in accordance with his own designs and it is hoped that the plays willīe performed there regularly as soon as the edifice is complete.